Water Where You Want to Grow

The other day, I met with one of my critique groups over video chat, and someone (knowing the day job has been busy) gently asked, “Have you been able to write?”

I thought about the past couple of months, and I sadly and shamefully answered, “No.”

My day job has been busy. Beyond busy. I’m working more hours, and after the work is (never) done, I’m mentally and physically drained. It’s a constant struggle to find space for my creative headspace (see blog post from last summer). 

But then, as things tend to happen, one of my sweet friends sent me this quote, completely unrelated to my writing struggle:

“When a flower doesn’t bloom, you fix the environment in which it grows, not the flower.” - Source: according to the internet, lots of people, but (maybe?) Alexander Den Heijer 

I was struck by the imagery, but also by another thought: I’m not watering the places in my life where I want to grow.

My first thought was about writing, of course, and how I’m not spending time actually, you know, WRITING. But this could apply to other things, like working out (which I’ve all but abandoned in the past few weeks), or meditating or cooking more than reheating meals… the list could go on and on. 

How could I become a career writer when I’m not spending time helping that part of my life grow?

Water Where You Want to Grow

Water Where You Want to Grow

The text from my friend also made me curious about actual gardening. I did not inherit my mother’s green thumb. Our garden out front survives, more than it thrives. So, I looked up what it takes to grow a plant:

  • Sunlight

  • Air

  • Proper Temperature

  • Moisture

  • Nutrients


Notice, it’s not one thing. It’s five things. And taking a deeper look, there’s more to these five things than appears:

  • Quality, quantity, duration of light influences growth

  • Plants need healthy root systems in order to carry the water, nutrients, and oxygen to their stems, leaves, and blooms

  • The texture of soil influences the amount of air, water, and nutrients it holds, and plants need 16 or 17 different nutrients (depending on the resource you cite) to grow


What did I learn from this research? You can’t just pour water on a plant and expect it to grow to its full potential. It takes more than one element to enable a plant to stretch its leaves to the sky and bloom. 

Which means, I can’t just write new stuff all the time and expect to grow to my full potential as a writer. It takes more than getting words on a page to become the writer I want to be.

With this in mind, I thought back more objectively, and broadly, on the past couple of months.

Have I worked on revisions? Yes. 
Have I worked on story pitches? Yes. 
Have I read in the genres that I want to write? Yes. 
Have I critiqued other people’s work? Yes. 
Have I researched potential agents? Yes.
Have I put my work “out there?” Yes.
Have I nourished my mind, body, and soul in other ways to welcome creativity in? Yes. 
Have I read for pleasure? Yes. 
Have I talked about my stories with others? Yes.
Have I connected with my writing community? Yes.
Have I had fun thinking about my stories, my characters, and my many, many plot holes? Yes.

Actual flowers in my garden… THRIVING!

Actual flowers in my garden… THRIVING!

So while I gave my critique partner a quick and confident, “no,” the other day, the answer should have been “YES.” Maybe I’m not pouring superfood onto a blank page and watching it shoot to the sky. But I am attending to my writing like a garden. I’m making the soil more fertile. I’m pulling the weeds. I’m making room for the sunshine, and I’m soaking in the life giving rain.

Often we have a tunnel vision view of what doing that thing (like writing) successfully means. Sometimes that makes us feel like we are never doing the thing we want to do, we’re not doing it well enough, or we never have time to invest in it fully.

But the truth is, just like there’s more than one way to help a plant grow, there’s more than one way to help ourselves grow in the ways we want to grow. Even if it seems small, acknowledge what you’re doing, do what you can do, and give yourself grace. Know you’re tending your garden in the best, and many ways, you can. And over time, and with the right amount of luck, someday you and your garden will bloom and flourish to your full potential. 

The Art and Science of a Picture Book Page Turn

In June, I sent out a call on Twitter for recommendations of picture books where there’s a joke (or expectation) set up, and then the page turn leads to something unexpected on the other side. My pals in the #pbchat community didn’t disappoint! I received a list of wonderful recommendations to study for my page turn research (see below). My interest stems from a manuscript I’m working on. I’m trying to set up expectations for one thing and then dash it (in a comical way) after the page turn. Creating funny page turns is HARD. I’m no expert, but I’ve compiled a few thoughts and notes on my research to share.


The Art of Page Turns

In my research, I found many techniques authors (and illustrators) use to create an irresistible page turn. I’m sure there are many more than my list below, but these are the techniques that stood out to me in the books I read through:

  • Pose A Question - Few things bring a reader into a story, and make them eager to turn the page than asking them a question. Whether it’s a question direct to the reader, or one posed amongst the characters in the story, few readers can resist the urge to get the answer on the other side of the page. (Example: Rhyming Dust Bunnies by Jan Thomas)

  • Pose A Curiosity - This is the art of making the reader want to keep turning the page in order to discover what's true and what's not. Illustration often plays a part in the tease, enticing the reader to read to the end to discover the truth! (Example: Creepy Carrots by Aaron Reynolds)

  • Build Suspense/Anticipation - Keep raising the stakes, but don’t give it all away. The reader will want to see how it turns out in the end. (Examples: Creepy Carrots by Aaron Reynolds, My Lucky Day by Keiko Kasza)

  • Bring the Reader in on the Joke - When the reader knows something the characters don’t, there’s no way to hold back the page turning. This is often another play between text and illustration. (Example: Sam & Dave Dig a Hole by Mac Barnett)

  • Try (Unsuccessfully) to Solve a Problem - Multiple tries, multiple funny fails will keep a page turning. (Example: How to Give Your Cat a Bath: in Five Easy Steps by Nicola Winstanley)

  • Require an Explanation - Have something silly on one page that requires an explanation after the page turn (aka a forced page turn)! (Example: Rhyming Dust Bunnies by Jan Thomas)

  • Remove or Change the Information - Add in a plot twist! (Example: A Hungry Lion or a Dwindling Assortment of Animals by Lucy Ruth Cummins)

  • Leave ‘Em Hanging - Not literally, but make your reader finish the sentence! Filling in the blank, only to discover the reader is hilariously wrong on the other side of the page turn is an easy way to keep the pages (and laughter) rolling. (Examples: Guess Again! by Mac Barnett, Once There Was a Bull...(Frog) by Rick Walton)

The Science of Page Turns

There are many technical tools authors can use to create a page turn. These were the most common among the books I read:

  • Ellipses - The classic … (Examples: You Don't Want A Unicorn! and Misunderstood Shark by Ame Dyckman)

  • Em dash - These can replace many other punctuation marks and are highly effective at driving page turns. (Example: You Don't Want a Unicorn! by Ame Dyckman)

  • Play Between Text and Illustration - Not always in control of the author, the text and illustration can tell two versions of the same story, which keep the reader engaged and turning the page. (Examples: Sam & Dave Dig a Hole by Mac Barnett and Normal Norman by Tara Lazar)

  • Breaking Up Sentences - Quite literally having a sentence start on one page and finish after the page turn.

  • Breaking the 4th Wall - Talking to the reader, making them part of the story. When done successfully, it really brings the reader along for the ride. (Example: The Monster at the End of this Book by Jon Stone)

  • Leaving Something Incomplete - Make the reader fill in the blanks, and force them to turn the page to find out if they were right! But make the reader wrong, it’s funnier that way! (Example: Guess Again! by Mac Barnett)


These are the books (many listed above) I studied. All present unique ways to deliver an unexpected page turn! Leave some of your favorite unexpected/funny page turn books, or resources, in the comments!

  • Guess Again! by Mac Barnett

  • Sam & Dave Dig a Hole by Mac Barnett

  • Once There was a Bull ... (Frog) by Rick Walton

  • Normal Norman by Tara Lazar

  • The Hog Prince by Sudipta Bardhan-Quallen

  • You Don't Want a Unicorn! by Ame Dyckman

  • Misunderstood Shark by Ame Dyckman

  • Carnivores by Aaron Reynolds

  • Creepy Carrots by Aaron Reynolds

  • A Hungry Lion or a Dwindling Assortment of Animals by Lucy Ruth Cummins

  • My Lucky Day by Keiko Kasza

  • Rhyming Dust Bunnies by Jan Thomas

  • The Monster at the End of this Book by Jon Stone

  • The Unbudgeable Curmudgeon by Matthew Burgess

  • I Don't Want to be a Frog by Dev Petty

  • How to Give Your Cat a Bath: in Five Easy Steps by Nicola Winstanley